Impressions of … Upstream Color [Shane Carruth]

a hotel bar, Toronto, the early hours, Terrence Malick, David Cronenberg and David Lynch have been knocking back the whiskey sours, Lynch and Cronenberg decide they should make a movie together: it will have dream logic – a maggot will be ingested – through an inhaler – later it will crawl beneath a woman’s skin – the maggot will be sourced in the roots of a blue orchid – ingestion will make the victim completely suggestible, she’ll give up all her savings and lose her job, but remember nothing – for the rest of the movie she’ll be trying to work out what the hell happened to her life – there will be rabbits – no, pigs – okay, pigs – it will be a romance, says Malick quietly

WEK_UpstreamColor_0405

Well, this movie has been made. By Shane Carruth. Who’s Shane Carruth? (No, not the guy serving the drinks in Toronto – that epic session never happened, I made it up.) Carruth is the guy who made ‘Primer’, the brilliantly mundane low-budget sci-fi feature that won Sundance back in 2004. I’d forgotten about him. ‘Upstream Color’ is sort of sci-fi too (I hope), this time pursued with sensuality and lyricism, both emotionally present and narratively elusive – it does have a narrative, but the logic is associative, the editing elliptical, and though, deep down, the film is rooted in procedure and process and details of ordinary life, the strange world it describes is one that doesn’t actually exist and one its characters struggle to understand

experimental, unnerving, a delight to the senses: this film is not a film, it’s a menu by Heston Blumenthal

an absolute treat

and possibly the greatest pig movie ever made

upstream-color-pigs-cropped

~

‘Upstream Color’ is being self-distributed through Carruth’s company, available on DVD, Blu-ray, download, and streaming:
here

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